Rigg Design Prize

Using one of humankind’s oldest and most common materials — terracotta clay — we crafted symbolic silhouettes of over 200 objects of domestic life.

Place / 12.2018

Rigg Design Prize 2018, NGV Melbourne. Photo: Shannon McGrath.

The Rigg Design Prize is the highest accolade for contemporary design in Australia - a generous legacy of the late Colin Rigg (1895-1982), a former secretary of the NGV’s Felton Bequests’ Committee. Previously known as the Cicely and Colin Rigg Contemporary Design Award, the invitational prize was established in 1994 to recognise contemporary design practice in Victoria.

Rigg Design Prize 2018, NGV Melbourne. Photo: Shannon McGrath.

Awarded as an outcome of an exhibition, The Rigg was conceived as an opportunity for invited participants to present their ideas and practices to a broad public audience.

In 2018, for the first time in the award’s 20-year history, the revitalised NGV Rigg Design Prize included 10 shortlisted interior designers from across the country each responding to ideas around domestic living in Australia.

Hecker Guthrie, who would go on to receive the award, envisioned a custom-made space inspired by the one modestly unassuming object in our domestic lives - the table. Anchor was invited to collaborate with Hecker Guthrie on the project.

Rigg Design Prize 2018, NGV Melbourne. Photo: Shannon McGrath.

We started with the idea of terracotta as material and the objects of everyday domesticity as the beginnings of a dialogue between a table, the activity that takes place on and around it and domestic space. And in response to that thinking, we designed and made a range of simplified and symbolic domestic objects for the Hecker Guthrie space.

Using one of humankind’s oldest and most common materials - terracotta clay - we crafted symbolic silhouettes of over 200 objects of domestic life. Resisting refinement, the objects were roughly cut and reduced to their symbolic essence to reinforce their connection to the everyday.

A pencil, books, coat-hangers, a mattress, a painting, a toilet, a tap, food on a plate, a chair…all objects easily recognised in a material we all inherently understand.

Credits

PROJECT TEAM // DESIGN: Bruce Rowe, Claire Hatch for Anchor // PRODUCTION: Bruce Rowe, Zena Dawson // PHOTOGRAPHY: Shannon McGrath // DESIGN YEAR: 2018